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The Wind-Up Bird Chronicle: A Novel, by Haruki Murakami
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Japan's most highly regarded novelist now vaults into the first ranks of international fiction writers with this heroically imaginative novel, which is at once a detective story, an account of a disintegrating marriage, and an excavation of the buried secrets of World War II.
In a Tokyo suburb a young man named Toru Okada searches for his wife's missing cat. Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo. As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid sixteen-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.
Gripping, prophetic, suffused with comedy and menace, The Wind-Up Bird Chronicle is a tour de force equal in scope to the masterpieces of Mishima and Pynchon.
- Sales Rank: #7225 in Books
- Color: Multicolor
- Brand: Murakami, Haruki/ Rubin, Jay
- Published on: 1998-09-01
- Released on: 1998-09-01
- Original language: English
- Number of items: 1
- Dimensions: 7.93" h x 1.37" w x 5.15" l, .99 pounds
- Binding: Paperback
- 607 pages
- a visionary novel by one of Japan's greatest living novelists, Haruki Murakami.
Amazon.com Review
Bad things come in threes for Toru Okada. He loses his job, his cat disappears, and then his wife fails to return from work. His search for his wife (and his cat) introduces him to a bizarre collection of characters, including two psychic sisters, a possibly unbalanced teenager, an old soldier who witnessed the massacres on the Chinese mainland at the beginning of the Second World War, and a very shady politician.
Haruki Murakami is a master of subtly disturbing prose. Mundane events throb with menace, while the bizarre is accepted without comment. Meaning always seems to be just out of reach, for the reader as well as for the characters, yet one is drawn inexorably into a mystery that may have no solution. The Wind-Up Bird Chronicle is an extended meditation on themes that appear throughout Murakami's earlier work. The tropes of popular culture, movies, music, detective stories, combine to create a work that explores both the surface and the hidden depths of Japanese society at the end of the 20th century.
If it were possible to isolate one theme in The Wind-Up Bird Chronicle, that theme would be responsibility. The atrocities committed by the Japanese army in China keep rising to the surface like a repressed memory, and Toru Okada himself is compelled by events to take responsibility for his actions and struggle with his essentially passive nature. If Toru is supposed to be a Japanese Everyman, steeped as he is in Western popular culture and ignorant of the secret history of his own nation, this novel paints a bleak picture. Like the winding up of the titular bird, Murakami slowly twists the gossamer threads of his story into something of considerable weight. --Simon Leake
From Publishers Weekly
Amazingly long, incredibly pricey, wildly experimental, often confusing but never boring, Murakami's most famous novel has been brought to audio life with extreme dedication: by Naxos, a company that regularly wins prizes, and by a reader with an uncommon combination of skills. Degas is already a Murakami veteran, having read the audio version of A Wild Sheep Chase (Naxos), and has worked on radio, stage and even cartoon voice (including Mr. Bean). He catches the constantly changing mental landscape of Murakami's fertile imagination—which moves from detective story to explicit sexual fantasy, heartbreaking Japanese WWII historical flashback, everyday details of married life (cooking, shopping and pet care) and even the occasional burst of satiric humor. Degas treats it all with the clarity and calmness of a very deep, very still pool. Certainly not for everyone's taste or budget, but anyone interested in this important author will find something to enlighten them. Available as a Vintage paperback (Reviews, Aug. 18. 1997). (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Library Journal
Kumiko Okada has a satisfying career and comes from a wealthy family. Toru, her husband, is a lawyer. Little mars this young Tokyo couple's life other than the disappearance of their cat. From that minor event, however, their life together devolves into a confusing web of intrigue. Kumiko disappears, telling Toru not to look for her. Then a collection of mystics, clairvoyants, and healers enter Toru's life. Reeling, he begins to spend hours in meditation at the bottom of a dry well, becoming a healer of sorts, until his work brings him into conflict with Kumiko's powerful brother-in-law?a conflict cast in moral terms, with Kumiko's soul in the balance. This very long journey is much less magical than simply strained. There are detours into the history of Japan's occupation of Manchuria and accounts of Japanese prisoners' lives in Siberian coal mines. Though interesting in parts, taken as a whole, this latest from Murakami (Dance, Dance, Dance, LJ 1/94) labors diligently toward some larger message but fails in the attempt.?Paul E. Hutchison, Bellefonte, Pa.
Copyright 1997 Reed Business Information, Inc.
Most helpful customer reviews
252 of 278 people found the following review helpful.
Unity Masquerades as a Kaleidoscope
By Kevin Salfen
Another reviewer has mentioned that far from being a scattered collection of independent incidents strung together by the coincidence of the central character's involvement, Murakami's "The Wind-up Bird Chronicle" is unified by means of its insistence on the problem of evil and what to do about it. Surely this is moving towards a clear understanding of the novel.
Evil, though, is a such a culturally grounded concept. Is evil sin? Maybe in monotheistic cultures, but I think in Murakami's novelistic universe--and this is a recurring feature of many discussions of Japanese religion, culture, and art--a more insightful way of comprehending evil is as "defilement," and this is the term Jay Rubin uses in his translation time and again. Defilement is what ties every character together: some inner filth that each character is trying to purge in some way. May Kasahara's idea of the physical manifestation of death as an oozy gray thing is the clearest picture we have of that unrelenting ghost that haunts everyone intersecting with Toru Okada's life. It is not regret or guilt. It is not emotional scarring. It is a sickening tangible object poisoning a person's life and threatening to overwhelm it. It must be washed off, or it will destroy whatever it comes in contact with.
Because defilement is such a defining feature of the work, it functions to create two broad sets of characters: the defilers and the defiled, where Kumiko's brother (Noboru Wataya) is the archetype of the defiler and Kumiko herself the archetype of the defiled. Confusion arises and the border between the two sets becomes blurred because the nature of defilement is to spread, and once Kumiko herself becomes defiled, she spreads that to those around her, principally to the central character, her husband Toru.
The third character type is found in Toru, whose beautiful quality is to absorb all the defilement, find a way to stop the spread of it, and then to wash it away, to expunge it in the final defeat of Noboru Wataya. Toru's beautiful quality is not easily won, though. The whole of "Wind-up Bird" tells of the immensely difficult quest for it, an encountering of many different faces of defiler and defiled, a repeated tasting of others' defilements, in order to learn the method of purification.
In a sense, then, "Wind-up Bird" is a classic love triangle, but it has been made archetypal: the defiled is fought over between the defiler and the purifier. Because of its reduction to the archetypal, all defiled characters are functionally the same, and all defilers are functionally the same. Malta Kano and Creta Kano, May Kasahara and Lieutenant Mamiya are all defiled; Noboru Wataya and the Russian intelligence officer, the woman on the phone and the man with the baseball bat are all defilers. Faces shift; functions remain the same. In every story, Toru is fighting for Kumiko, trying to wash out the defilement she is letting herself be destroyed by. In every story, Noboru Wataya is reaching out in every direction, to taint everything with his evil (defiling) intelligence.
Once the flimsy physical borders between these characters are down, the focus of the novel takes on a focused, white-hot intensity. It is almost as if the fire of it is so scorching that Murakami had to cloak it in an array of different facades. Also, by giving so many faces to the defiler and defiled, he insures that the reader will respond to one of them. One of the defilements will connect and lead to self-identification, and in this lies the great humanity of the novel, the thing that makes it so very intriguing for so many readers, the thing that makes it more than just a good yarn.
In the end, Toru is no closer to Kumiko. But he has fully become himself. He has merged with his unshakable purpose. Water flows unhindered in the long-dry well.
0 of 0 people found the following review helpful.
Like A Dream
By Kindle Customer
Reviewers seem to love this book or hate it. I thoroughly enjoyed reading it. This beautifully written, difficult to understand book reminds me of the best of David Mitchell. Things happen to the lead character as he makes his way from one contact to the next, initially accepting everything and denying nothing, eventually accepting nothing and denying everything as he seeks the return of his lost wife. Some events are explained, many are not and so, in the end, the reader is required to do some of the work and try to fill in the missing pieces with too little information. Strangely, this is an experience not to be missed.
0 of 0 people found the following review helpful.
Murakami writes in a way that branches out like thought. Murakami trusts the reader to put thought ...
By Jasmine
Murakami writes in a way that branches out like thought. Murakami trusts the reader to put thought into the book, to organize the events that take place, and think about the meaning behind them. Unlike many of his novels, this one ties up most of the plot at the end. There is a definite end to the book, though there is not a definite end to the story. If you're reading through it, I suggest thinking about the book on breaks to delve into your own thoughts on the scenarios and what they represent. It is a good read and I would recommend it.
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