Selasa, 28 Mei 2013

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The Burning House: What Would You Take?, by Foster Huntington

“Fascinating….Provocative.”
—New York Times

“Answering this question reveals a great deal about your personality, priorities and interests.”
—The Guardian (UK)

If your house were on fire, what would you take? Foster Huntington has collected answers to this telling question from thousands of responders all over the world to get to the heart of what it is that people truly value. The result is The Burning House, featuring the best of Huntington’s popular website, TheBurningHouse.com along with a wealth of all-new material. Fascinating and remarkably revealing, The Burning House provides a captivating keyhole into people’s lives, feelings, and innermost thoughts that will especially appeal to the many fans of PostSecret, Not Quite What I Was Planning, Found, and Awkward Family Photos. Illustrated with sometimes moving, often unusual photographs of people’s most prized possessions, The Burning House ingeniously celebrates the differences between human beings around the globe—and the surprising similarities that unite us all.

  • Sales Rank: #1163345 in Books
  • Published on: 2012-07-10
  • Released on: 2012-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 8.00" l, 1.77 pounds
  • Binding: Paperback
  • 288 pages

Review
“Fascinating . . . provocative.” (New York Times)

“Simple and lovely.” (New York magazine)

“Answering this question reveals a great deal about your personality, priorities and interests.” (The Guardian)

“This book is what user-generated content can be at its very best: personal, passionate, surprising, and, above all, something that will spark conversation after conversation among friends and strangers alike. Brilliantly curated and endlessly addictive, The Burning House opens your heart and sticks to your soul.” (Larry Smith, editor of Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure)

“A poignant and revealing series of self portraits told in loving visual haiku.” (Frank Warren, creator of POST SECRET)

“The Burning House is brilliant in its ability to remind us that what we value most are not usually possessions but what they stand for. These deceptively simple photographs are powerful biographical portraits.” (Brian Lam, former Gizmodo editorial director)

From the Back Cover

Your house is burning. You have to get out fast. Suddenly you are forced to prioritize, editing down a lifetime of possessions to a mere handful. Now you must decide: Of all the things you own, what is most important to you?

The practical? Your laptop, your smartphone, what you need to keep working and stayin touch?

The valuable? Your money, your jewelry, the limited edition signed poster in the living room?

The sentimental? The watch your late grandfather gave you, the diary you kept as a teenager?

What you choose to bring with you speaks volumes about who you are and what you believe in—your interests, your background, your view of life.

With contributions from all over the world, The Burning House is an eye-opening pictorial meditation on materialism; an in-depth, intensely personal interview contained in a single question; a revealing window into the human heart.

About the Author

Foster Huntington grew up in Portland, Oregon, went to a small liberal arts college in Maine, and is now a photographer based on the West Coast.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Too narrow in scope
By Sibelius
Interesting concept but layout design and quality of image prints have room for improvement. Also the scope of people featured should've been broadened beyond the realm of artsy-hipsters for more varied content.

4 of 5 people found the following review helpful.
Great conversation starter
By Heidi G
So really, what WOULD you take if you had to escape a burning house? This wonderful book contains lists of what people from around the world said would be top on their list; a photograph of the items accompanies each list. While many of the participants seemed to lean toward the artistic side (hence "cameras and accessories" was the top category of items listed), some of the more memorable were from the younger and older ends of life's spectrum. From a 10-year-old girl describing her hair brush: "I literally bring that brush with me everywhere. It's sort of like a good-luck charm" to wisdom from a 70-year-old: "letters and ojects from a person very dear to me," the lists are interesting and will probably make every reader pause to wonder what those items are that should be in a suitcase near the door. Two other favorites: "Bottle of gin to reassure me during the fire. The same goes for a box of cigarettes and matches." and "A book of a hundred handwritten things my wife likes about me." A great conversation starter and yes, I'm revisiting my own list.

7 of 9 people found the following review helpful.
A book of lists
By Jason
I'm not sure what I was expecting when I ordered this book, but I left feeling somewhat disappointed. I felt like something was missing from the premise of the book. I was hoping for something deeper, I suppose.

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Kamis, 23 Mei 2013

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  • Sales Rank: #3927443 in Books
  • Published on: 1600
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Jumat, 10 Mei 2013

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Fantastic Ornament: 110 Designs and Motifs (Dover Pictorial Archive), by Michel Liénard

Swirling with gargoyles, devils, dragons, griffins, and other images that haunt both dreams and nightmares, this otherworldly assortment features more than 100 decorations from a rare nineteenth-century volume. Decorations include:
Cartouches in the style of Louis XIII; stone balustrades; arabesques; roof cornices; Renaissance-era drawing-room cabinets; Elizabethan chimney pieces; plus friezes for textiles and wallpaper, decorative scutcheons, mirror frames, and much more. These versatile royalty-free illustrations are equally suitable for immediate use, adaptation, and inspiration.

  • Sales Rank: #38100 in Books
  • Brand: Lienard, Michel
  • Published on: 2006-12-15
  • Released on: 2006-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .50" l, .44 pounds
  • Binding: Paperback
  • 64 pages

Most helpful customer reviews

65 of 67 people found the following review helpful.
learning to transfer is 90% of the battle
By Amazon Customer
REVIEW FOLLOWS A FEW REMARKS ABOUT TRANSFER OF IMAGES - I just got this book as a present and am astonished how well it meshes with all my other dover books - this was one I was going to get - and it was a present from a fellow engraver. BUT it's not just for artists, it's also a wonderful coffee table book if put out with a few others (see my review of Florid Victorian Ornament Florid Victorian Ornament (Dover Pictorial Archives) to learn why) - it's a long review, but you'll understand why it's a VERY cheap way to 'dress' up your living room, and keep guests occupied while you are out of the room. Perhaps 'occupied' is an understatement -- when they begin to see color in black and white drawings, they will be astounded by the art form -- weather graphic, or as is my case, engraved. And the longer you look at the line drawings, the more you will see, and soon you, like me, will find yourself looking at a single page for 10 minutes and wonder where the time went! Forget curved lines, though they are amazing, what you can do with simple straight lines is beyond your imagination right now, then add in the curves and it's a new world you are peeking into!!! FIVE STARS WITHOUT QUESTION!!! Light, dark, shadings, hue and saturation of color -- all in black and white line drawings -- it's amazing! TEN STARS!

========
most reviews have said that the lines are far to complicated to transfer. this is because there are many ways to transfer - from special wheels with needle like spikes that come out and you just 'connect the dots' - to the use of Methenol, Ethenol, Xylenol, or toulene -- each ink company has it's own chemical that works best -- as does the paper you use. Check the paint section of your hard ware store, and you may even be makeing a trip to an auto parts store too for something to transfer on to. Supermarket and drug store 'alcohol' is too much water and won't work well without a LOT of smudging.

photocopy or print the page, place ink side down, and practice with a Q-tip until you get your transfer down -- it will be from a solid line to a sometimes broken line - and as a firearms engraver in hard metal, I NEED the fine-line shading to bring out light and shadow. Often I can transfer lines as small as 000 - and if not, with the original there, I can chose the correct fine-liner to make it happen. With me, there IS no 'erase' or 'do over' -- you are having your grandfathers Winchester, or your Great Grandfathers Winchester engraved, or a civil war Sharps that your Great-grand-daddy used in the War of Northern Aggression -- and that gun cannot be replaced, sometimes not even repaired at great cost - so being exact is more than important, missing a strike, or skidding across the metal can result in law suits and thousands of dollars for damage to irreplaceable objects -- so my lines and my gravers have to be sharp and clear, and the 50-120 strikes per inch have to be perfect each time, every time. Just like a sculpture -- you can't have a 'woops' and put the arm back on. Ink is much the same way, but often you can cover your mistake, in some arts, there can be no mistakes. Ever - so you get your transfer right until it's perfect.

Sometimes you may need to 'seal' the surface so the transferring ink doesn't soak into and 'smudge' on the object being transfered to.

Buy, or go to your library and get a copy of James B. Meeks "the art of engraving' where he has hints about how to transfer -- from using china white, to auto-body primer, to many other substances - Art of Engraving: A Book of Instructions and I'm sure that there are books in your own field that will help you transfer -- often a community college or state University will have an instructor in a lab who will take the time to answer a question of someone not enrolled in their class. Especially on something as important as design transfer. if they want you to enroll as I've seen ONE instructor requie -do it, you can always immediately withdraw, and get most of your money back. It's what 'Office Hours' are for: individual instruction of students -- use them -- and get out -- but when you think of it - free use of a kiln and glaze can be rather appealing -- esp if you take an incomplete, and can use the lab until you complete the final assignment for up to a full year in most places, with no more money up front -- I used to teach in college, it's a trick i learned when I learned to engrave -- even taking an F so I could repeat up to three times with an incomplete each time -- pay for three semesters, get 9. It can be a bargain. And in Lab courses you can become an unofficial 'aide' and pick every last morsel and detail and secret from your professors brain! You are, in essence a pod person who sucks your professors brain dry! WHILE you face problems you have not even encountered yet, but might some day -- when you'd have a solution and not need help!

I have found most of these Dover books exceptional in most every respect -- you can see my review of Florid Victorian Ornament (Dover Pictorial Archives) for an idea of what I think of these 'design' books -- and if nothing else, they make a wonderful 'coffee table book' -- but I suspect that after reading Meeks, and talking ot a college instructor, you will learn a LOT about transfer.

In hard metal engraving the problem is to not 'chip' the surface the transfer is on, I imagine that in leather or clay where you 'draw' the design in using different sized wooden or steel dowels, this problem will not BE a problem.

Amazingly enough, this book was returned to me TODAY with one I loaned as a thank you for the loan -- and I can see the problem you faced, but it's no different from the florid Victorian book -- lean to transfer -- practice -- I usually think of it as "playing around" with an idea, because it's more fun than PRACTICE!! (uggghhhh!) - and I think the book will come alive for you -- I already have seen what it has done to a flint-lock and matching knife -- and some of the lines are 0-00-000, though most are 1's and 2's and I can look at the original, and the transfer and see very little difference.

Join a guild, or ask a professional who teaches because the professional who teaches has probably read a lot about transfer - and IT IS A PROBLEM faced by those who lack the 'secret' knowledge. And if one says no, keep looking, we had a teacher who said that he would not teach or discuss transfer except how to transfer for your own personal collection, and it was ONLY smoke transfer, perhaps the oldest and most primitive transfer possible --and one you could NEVER use from a printed page or someone else's work -- So find out from another teacher -- or go to a large city library,and look in an index under 'transfer' -- in EVERY book, for each author may have their own pet way, or have a unique, nearly fail-safe way.

When all else fails -- which is rare -- get a number one or softer pencil and draw over your photocopy, then 'burnish' the back, transferring the pencil onto the object, then 'draw the line you grave, and grave the line you draw' as my Master told me.

This book looks AMAZING -- and so it gets five full stars! And I can already see where it can be mix and matched with other Dover books for design -- wow! --Dover -- NO COPYRIGHT DESIGN! Viva Dover!

49 of 50 people found the following review helpful.
Great reference
By BIOWORKZ
I don't agree with the previous 2 reviews of this book. I think it has plenty of great elements to incorporate into any design. Maybe they are right about being too complicated for crafts. I am a graphic artist, and the more complicated, the better. I especially like the details of the mystical creatures that are featured in this book. Lots of flourishes and victorian type ornamentation like most of Dover's books in this genre. I believe this book stands on it's own and worth having it as part of your clipart library.

32 of 32 people found the following review helpful.
This book is excellent
By David Ivey
A couple of reviews have mentioned that the designs in this book were too intricate and therefore they gave it less than stellar reviews. However, I believe that this is the books strength and not it weakness. I design websites and the images in this book worked perfectly, precisely because they were more detailed.

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Kamis, 09 Mei 2013

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Forma - zarowno artystyczna co i obyczajowa - to glowny temat tej powiesci. Przesmiewcze spojrzenie na konwenans, ktory zaczyna zyc wlasnym zyciem uzalezniajac swoich uzytkownikow. Atutem wydania jest analiza tekstu w formie lekcji literatury z Jerzym Jar

  • Published on: 2010
  • Number of items: 1
  • Dimensions: 7.87" h x .94" w x 4.84" l,
  • Binding: Perfect Paperback
  • 296 pages

Most helpful customer reviews

31 of 32 people found the following review helpful.
A one-of-a-kind masterpiece
By D. Friedman
The world of Ferdydurke seems at first to be concocted out of equal parts of Kafka and Swift. There is the absurdity of Kakfa: events occur for no apparent reason, and the main character seems to be under some mysterious hypnotic spell. And there is the savage humor of Swift. Violent conflict erupts between the followers of two opposed and equally absurd and ridiculous systems of belief. But as the book progresses, it becomes clear that Gombrowicz has put his own special stamp on this world, and created a type of fiction that is totally unique.

The plot line is simple: a man of about 30 years of age is abducted by a priggish professor and finds himself, for reasons unexplained, transformed into an adolescent schoolboy. The novel consists of the "adventures" of this anti-hero in the world of adolescence, which he views with both fascination and disgust, and from which he remains detached, and yet at the same time with which he becomes intensely involved. (Ferdydurke is above all else a novel of unresolved contradictions.) Although the narrator is subjected to all the humiliations of an adolescent schoolboy (patronized by adults, frustrated by hopeless desire for a girl who disdains him, etc.), he also retains an adult outlook. In fact, it may be said that he is the only character who is adult (in the psychological sense of being self-aware) and who struggles, not always with success, to remain sane. Part of the genius of the book is that the adults in it seem crazy from the narrator's perspective as a youth, and the adolescents seem crazy from the narrator's perspective as an adult. In spite of its simple plot, Ferdydurke bursts with a dazzling exuberance of incidents, contradictions, characters, and digressions. Readers who demand strict linear plot development in a novel should probably look elsewhere.

Ferdydurke can be read at many levels. It is not surprising that a novel which features conflicts between two equally absurd systems should come out of 1930s Poland, beset as it was by two powerful opposed enemies, Nazi Germany and Soviet Russia. Ferdydurke can also be read as an exploration of the fragility of the adult ego, of the fine line between "maturity" and "immaturity". The violent schoolboy quarrels which so fascinate and repel the narrator seem like absurdist, distorted parodies of very serious adult matters. And this novel is also about hidden, dark passageways in the human psyche. The narrator confesses to thoughts and behavior that most of us would never want to allow into the daylight of consciousness, much less to own up to.

Ferdydurke is not a difficult read, but it is quite digressive and very different from what most English-speakers expect a novel to be. Until this new translation, the first directly into English, it was effectively unavailable. This book is not for everyone. But it is a fascinating read for those who are seeking a multi-faceted, complex, and uncompromising (one noted critic has called it "Nietzchean") exploration of what it means to be a "mature adult", and who are not looking for easy answers or Hollywood endings.

65 of 73 people found the following review helpful.
Linguistic archetypes and immaturity
By A Customer
"Ferdydurke" by Witold Gombrowicz has finally been properly translated into English. Not that this is an event worth mentioning in general, but the point to be made is that the world of translation offers room for all kinds of mischief and sloppiness. Who would have thought that it were perfectly acceptable for publishers to allow translation from a second, and not native tongue? Imagine, for purposes of illustration, that a work of a classic British author translated into German not directly, but from Suahili, for this was the language the book was first translated into. Would you be satisfied with a product of this type? This was the fate of Gombrowicz, his native tongue was done away with, and the Anglo-Saxon world of bibliophiles had had no other choice but to read a lemon. Perhaps this is the revenge of the Heavens on the author himself, for never was there any other Polish author who had his native country in such a low regard as he did. In his "Trans-Atlantyk", Gombrowicz dared to ridicule everything a Pole holds dear, together with the whole idea of a nation as such. Were he to live today, he would embrace the idea of convergence and the global village of consumptionism, as opposed to Europe of Nations. That was one of the main reasons for Gombrowicz's emigration to Argentina, where he spent almost all of his literary career.
"Ferdydurke" is an early novel by this author, and it's never as crass as the aforementioned "Trans-Atlantyk". In fact, it constitutes part of a literary canon in Poland to this very day, and there is no educated Pole who hasn't read or at least heard of "Ferdydurke". Scenes from this book, gestures, and neologisms entered the mass vocabulary, and once you learn some of these expressions, you cannot unlearn them, for then there is no better way to express yourself, but to use the phrases coined by Gombrowicz. Whatever issues Poles have with this author, one thing is certain: we are grateful to him for augmenting our language. Gombrowicz created an archetype of a confused man, whose karma is to move back in time, back to school, with the mentality of an adult. I will even risk a claim that this fact alone lies at the very heart of science fiction - for how might that be possible, and what would happen if such occurence took place? How would that affect the object in queestion? Perhaps my perception of this problem is a bit skewed due to my occupational hazard of a scientist, but for me, "Ferdydurke" is a laboratory novel, where with a literary set of tools we analyze both the situation, and the object, in the vein of the medieval alchemist. This novel, hardly known in the English-speaking world, will be an exhilarating reading experience for you, provided that you will trust me and pick it up. The amusing analysis of the immature world the protagonist found himself in, mixed with elements from all literary forms, from plain mystery, via comedy, to sophisticated analysis of society, makes Ferdydurke an experimental novel of potential interest for all bibliophiles and lovers of the nonstandard.

17 of 18 people found the following review helpful.
Zany to the point of seriousness
By A Customer
Ferdydurke is out of print! It has been a battle to get this book openly published in Poland, but look at how English-speaking consumers conduct their own censorship scheme. Yet there is a touch of Anglo-Saxon to the novel's madness: the upper class school boys, the title borrowed from the netherlands of H.G.Wells' corpus and much, much more. The novel questions whether there is such a thing as maturity, sending its main character back to school as an adult, where he is among boys who treat him as another boy (as does everyone else!). It also asks one of the great questions of our time: our characters are made by others; is it possible to escape this or are we merely prisoners of other people's influences? Something for us living under states who idolize individual choice to think about. But Gombrowicz's book is also full of comedy: slapstick, sharp irony, plot twists and philosophical fables. Jokes are used as an ideal way to pose serious questions. Furthermore, in its giant bums and staring contests it shows how much more you can talk about reality, including prudent insights into totalitarian life, through wild fantasy. The experiments of the novel - the unique fantasy, the invasion of the author and the symmetrical interjections - put it at the heart of European modernism. It is a landmark, albeit buttock-shaped.

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[U404.Ebook] Get Free Ebook Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter

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Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter

Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter



Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter

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Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter

This updated edition provides a number of tools to help students succeed on the SAT Subject Test in U.S. History:

  • A diagnostic test to help students pinpoint their strengths and weaknesses
  • Three full-length practice tests with all questions answered and explained
  • Timelines at the start of each chapter highlighting key events
  • Test-taking strategies and tips for answering multiple-choice questions
  • An in-depth review of U.S. history, starting with European colonization of North America and covering major topics that include: the Civil War and Reconstruction, the Great Depression, important Supreme Court cases, and more
  • Review quizzes with answer explanations following every five chapters

The manual can be purchased alone or with an optional CD-ROM that presents two additional full-length practice tests with automatic scoring and fully explained answers.

  • Sales Rank: #9929 in Books
  • Published on: 2016-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.00" w x 8.30" l, .0 pounds
  • Binding: Paperback
  • 640 pages

From the Inside Flap
Table of Contents:
Preface

  • 1 Welcome to the SAT Subject Test in U.S. History
    Test Registration
    How to Use This Book
    Three Approaches for Three Review Paces
    Introduction to the Test
    Multiple-Choice Strategies
    Test-Taking Strategies
    Final Advice
    Diagnostic Test
    Answer Key
    Test Analysis
    Answer Explanations
  • 2 Motives and Methods of European Exploration
  • 3 Spanish, French, and Dutch Colonization
  • 4 English Colonization
  • 5 Colonial "American" Society
  • 6 Mercantilism and Colonial Wars
    Mini Quiz
    Answer Explanations
  • 7 The American Revolution and the War for Independence
  • 8 The Critical Period and the Formation of American Values
  • 9 The Federalist Age
  • 10 The Jeffersonian Revolution and the Era of Good Feelings
  • 11 The War of 1812 and the Age of Jackson
    Mini Quiz
    Answer Explanations
  • 12 Political Evolution in the Age of Jackson
  • 13 The Reform Impulse
  • 14 The Ramifications of Slavery
  • 15 Expansion and Two Wars with Mexico
  • 16 The Last Attempts at Compromise
    Mini Quiz
    Answer Explanations
  • 17 The Civil War
  • 18 Reconstruction
  • 19 The Settlement of the West
  • 20 The New American Economy
  • 21 Gilded Age Politics
    Mini Quiz
    Answer Explanations
  • 22 The Revolt of the Common Man
  • 23 The Progressive Reform Movement
  • 24 Domestic Policy Debate
  • 25 The Spanish-American War and the Imperialism Debate
  • 26 American Involvement in the Great War
    Mini Quiz
    Answer Explanations
  • 27 The Roaring Twenties: Sex, Alcohol, and Jazz
  • 28 The Stock Market Crash and the Great Depression
  • 29 The Rise and Fall of the New Deal
  • 30 World War II
  • 31 Truman and Eisenhower in Post-War America
    Mini Quiz
    Answer Explanations
  • 32 The Changing Values of the 1960s
  • 33 The Civil Rights Movement
  • 34 Foreign and Domestic Crises of the Vietnam Era
  • 35 Nixon and the Arms and Space Races
  • 36 Presidents Looking for America
    Mini Quiz
    Answer Explanations
  • 37 Conservative Resurgence
  • 38 Moderate America
  • 39 Presidential Pendulum in the Information Age
  • 40 American Scientific and Technological Advances
  • 41 Essential Supreme Court Cases
    Mini Quiz
    Answer Explanations
  • 42 Practice Tests
    Practice Test 1
    Answer Key
    Test Analysis
    Answer Explanations
    Practice Test 2
    Answer Key
    Test Analysis
    Answer Explanations
    Practice Test 3
    Answer Key
    Test Analysis
    Answer Explanations
    Index

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    1) Some of the questions and explanations are horribly written. 2) Some of the questions are inaccurate
    By CamMBA
    I agree with the other 1-star reviews here.
    1) Some of the questions/explanations are horribly written.
    2) Some of the answers are inaccurate (or wrong, in my opinion).
    3) Some of the questions are obviously meant to trick you (compared to the actual SAT Blue book test in US History, which is much more straightforward). So, using this book might cause the student to get into the habit of 'overthinking.'

    0 of 0 people found the following review helpful.
    Not very helpful
    By Jay
    Too specific, overwhelming amount of study material. Not much help in preparing for the test.

    0 of 0 people found the following review helpful.
    Yields perfect score
    By William M Koggan
    The kid got a perfect score but I have no idea if the book had anything to do with it.

    See all 44 customer reviews...

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    [U404.Ebook] Get Free Ebook Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter Doc

    [U404.Ebook] Get Free Ebook Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter Doc

    [U404.Ebook] Get Free Ebook Barron's SAT Subject Test: U.S. History 3rd Edition, by Kenneth Senter Doc
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