Sabtu, 20 Oktober 2012

[W951.Ebook] PDF Ebook Paint Shop Pro 8 For Dummies (For Dummies (Computers)), by David C. Kay, William Steinmetz

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Paint Shop Pro 8 For Dummies (For Dummies (Computers)), by David C. Kay, William Steinmetz

  • Published in conjunction with the new release of Paint Shop Pro, this book walks readers through image-editing fundamentals as well as more advanced graphics and animation tools
  • Shows photography and animation hobbyists how to create quality, professional-looking graphics
  • Discusses painting, spraying, retouching photos, adding artistic effects, layering, masking layers, adjusting color, moving, reshaping, copying, and printing images
  • Also examines how to create Web images and animated graphics with
  • Jasc's Animation Shop
  • Author has written more than a dozen technology books

  • Sales Rank: #51627 in Books
  • Brand: Wiley
  • Published on: 2003-05-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .85" w x 7.40" l, 1.85 pounds
  • Binding: Paperback
  • 400 pages

From the Back Cover
Enhance colors, erase mistakes, and improve your image

Create professional-looking graphics for print or the Web, easily and economically

Okay, you’ve got some great pictures – and maybe some not-so-great ones. With this handy guide and Paint Shop Pro 8, you can make them magnificent, inexpensively! Find out how to capture those images and repair, retouch, create cool effects, add text, animate images, make prints – well, you get the picture.

The Dummies Way

  • Explanations in plain English
  • "Get in, get out" information
  • Icons and other navigational aids
  • Tear-out cheat sheet
  • Top ten lists
  • A dash of humor and fun

About the Author
David Kay is a writer, engineer, artist, and the author of five For Dummies books.

William "The Ferrett" Steinmetz is a freelance Webmaster and editor who helms StarCityGames.com.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Lacking in some important fundamentals
By Charles Schamenek
I've used Paint Shop Pro 8 for only a couple of months before I bought this book. I was seldom interested in using it for advanced stuff - commonly called "bells and whistles". I was only using it for simple stuff. I just wanted to know why some so-called "tools" and stuff "disappear" just when I need them, especially the Font selection and font size tool when I want to insert plain text. Two short paragraphs on page 315 do not help. And other paragraphs which mention how to use the "View" options to select various tools, palettes and such did not help either; I already knew about those. And "starting from scratch", so to speak, and following the detailed instructions on adding text, did not help either. What a waste of my money, not to mention the added aggravation.

0 of 0 people found the following review helpful.
Easy read--very helpful
By Kathi Greyhosky
I like the way this book is written. Often the writers of manuals write as if you already understand the subject to begin with. You might know what all the words mean, but put them together and it's like Greek to me. But this book makes it understandable and sometimes even amusing. Good job.

0 of 0 people found the following review helpful.
Dummies CAN Learn
By Carol S
This book is absolutely written for those of us that are 'challenged' when it comes to self-teaching. Great content and even greater lessons!

See all 15 customer reviews...

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Jumat, 19 Oktober 2012

[K326.Ebook] Ebook Free Alexander Dumas Dictionary Of Cuisine, by Dumas

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Alexander Dumas Dictionary Of Cuisine, by Dumas

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

  • Sales Rank: #2067558 in Books
  • Published on: 2005-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.00" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

Language Notes
Text: English (translation)
Original Language: French

Most helpful customer reviews

4 of 4 people found the following review helpful.
Excellent!
By Jin chen
I have read several accounts on this subject from Chinese, Italian and French culture. This one is two of my most favorite. Some of the receipt is not only practical but also well writtened. I loved reading this book.

12 of 12 people found the following review helpful.
great but limited
By E. Wunderlich
a fascinating but abridged version of the incredibly rare dictionary of cuisine. worth the price, but lacking in some very important historical data.

0 of 0 people found the following review helpful.
Who knew?
By Madeline Harris
I haven't finished reading it, I'm enjoying it so much I want to savor it...informative and funny at times. He was an eclectic writer with the skills to pull it off with aplomb. When I'm done, I may end up giving it five stars.

See all 3 customer reviews...

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[L155.Ebook] PDF Ebook Principles of Linear Algebra with Mathematica, by Kenneth M. Shiskowski, Karl Frinkle

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Principles of Linear Algebra with Mathematica, by Kenneth M. Shiskowski, Karl Frinkle

A hands-on introduction to the theoretical and computational aspects of linear algebra using Mathematica®

Many topics in linear algebra are simple, yet computationally intensive, and computer algebra systems such as Mathematica® are essential not only for learning to apply the concepts to computationally challenging problems, but also for visualizing many of the geometric aspects within this field of study. Principles of Linear Algebra with Mathematica uniquely bridges the gap between beginning linear algebra and computational linear algebra that is often encountered in applied settings, and the commands required to solve complex and computationally challenging problems using Mathematica are provided.

The book begins with an introduction to the commands and programming guidelines for working with Mathematica. Next, the authors explore linear systems of equations and matrices, applications of linear systems and matrices, determinants, inverses, and Cramer's rule. Basic linear algebra topics, such as vectors, dot product, cross product, and vector projection are explored, as well as a unique variety of more advanced topics including rotations in space, 'rolling' a circle along a curve, and the TNB Frame. Subsequent chapters feature coverage of linear transformations from Rn to Rm, the geometry of linear and affine transformations, with an exploration of their effect on arclength, area, and volume, least squares fits, and pseudoinverses.

Mathematica is used to enhance concepts and is seamlessly integrated throughout the book through symbolic manipulations, numerical computations, graphics in two and three dimensions, animations, and programming. Each section concludes with standard problems in addition to problems that were specifically designed to be solved with Mathematica, allowing readers to test their comprehension of the presented material. All related Mathematica code is available on a corresponding website, along with solutions to problems and additional topical resources.

Extensively class-tested to ensure an accessible presentation, Principles of Linear Algebra with Mathematica is an excellent book for courses on linear algebra at the undergraduate level. The book is also an ideal reference for students and professionals who would like to gain a further understanding of the use of Mathematica to solve linear algebra problems.

  • Sales Rank: #1826690 in Books
  • Published on: 2011-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.32" w x 6.40" l, 2.33 pounds
  • Binding: Hardcover
  • 616 pages

Review
"An accessible introduction to the theoretical and computational aspects of linear algebra using Maple(TM)." (TMCnet.com, 16 April 2011)

About the Author

Kenneth Shiskowski, PhD, is Professor of Mathematics at Eastern Michigan University. His areas of research interest include numerical analysis, history of mathematics, the integration of technology into mathematics, differential geometry, and dynamical systems. Dr. Shiskowski is the coauthor of Principles of Linear Algebra with Maple, published by Wiley.

Karl Frinkle, PhD, is Associate Professor of Mathematics at Southeastern Oklahoma State University. His areas of research include Bose-Einstein condensates, nonlinear optics, dynamical systems, and integrating technology into mathematics. Dr. Frinkle is the coauthor of Principles of Linear Algebra with Maple, published by Wiley.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Undergrad indie student likes this book so far
By Amilein Zenomans
I'm finishing Chapter 5, and here is some of what I like about this book (in no particular order of presentation).

1. Written about as clearly as popular texts such as Howard Anton's Elementary...
2. Good balance of theory/proof and calculation.
3. Introductory chapter on Mathematica is good.
4. For students new to Mathematica, downloadable code is available at the book's website. Code is written such that it appears to run on MMA 6, 7, and 8.
5. Authors respect the past, but are not stuck in it. They clearly understand that computer algebra systems need not rot a student's brain.
6. The proof of many important linear algebra relationships presented in the text are left as exercises for the student (in the homework sections of the text). This helps the motivated student develop independence so important to maths.
7. Solutions manual (comes with book) is no lazy thing. As necessary, steps are clearly shown and good explanations given.

I have the impression that Shiskowski and Frinkle are unpretentious fellows, at least as interested in teaching as in pleasing those maths instructors who still won't embrace CAS's (at least when others are looking). Quite clearly, S and F value and enjoy theorems and proof; just as clearly, they value and enjoy the integration of modern CAS's into the teaching process. This is a huge plus in my opinion because is saves a great deal of study/practice time, expands what can be covered in a course, and allows students to be exposed to more realistic problems - not just problems so simplified that they are manageable with paper, pencil, and hand calculator. Also, CAS's like Mathematica and Maple make possible study of some of the informative (and I think beautiful) geometric bases, interpretations, and applications of linear algebra.

This book is in its first, but I hope not last, edition. As such, it doesn't give one all the colorful formatting and non-substantive content commonly found in more established works. But who cares about this besides greedy publishers and poor students? The absence of fluff in this book keeps the price relatively low. Compare others at $120 for text plus $35 for solutions manual and about $40 more for a CAS manual (that is likely not really integrated into the text, but more like slapped onto the end of it).

9 of 9 people found the following review helpful.
Highly recommended for the ambitious EE student
By AMNorse
I am an electrical engineering student in the northern US, but my university has very separate math and engineering departments. The linear algebra class at my school does not focus on applications or technology at all, so I decided to teach myself and took a gamble on this book.

I've read many math texts and found that the common theme among those that teach well is a conversational style of language combined with many examples, problem sets, and solutions. This book is written in an enjoyable and accessible manner that does not attempt to cut words so that it can have the appearance of added rigor. It has plenty of rigor all on it's own, and the material is that much more accessible because the author is willing to talk the reader through things. The integration of Mathematica is equally enjoyable and will no doubt provide me with a tool that is very handy for solving problems that would be tedious or nearly impossible to do by hand.

The problems at the end of the sections are on point for the preceding lesson. They are separated into problems meant to be done by hand and those meant for Mathematica. Many of the Mathematica problems are tailored to serve as a teaching tool to show someone why they would want (or need) a computer algebra system. This could have been something that got in the way of learning the math, but it isn't overbearing and adds to the text.

My only critique is that this is not the right book for people who do not want to learn a computer algebra system. Obviously, as that's ~30% of what the book is teaching. It's right in the title. But then why wouldn't someone be interested? Mathematicians and engineers need a computer algebra system to speed up their workflow, and this book helps you kill two birds with one stone.

Also of note is the companion website which contains Mathematica code for problems and examples, as well as a comprehensive solutions manual. Problems are thoroughly worked out and explained which is utterly critical and something I wish more texts put emphasis on.

I have not finished the book and will update when I do, but I honestly couldn't wait to review this text. This is a real treat after a year of some very inaccessible math texts.

TLDR: Overall, very impressive! If you want to learn Mathematica and linear algebra, especially if you are teaching yourself, this is the way to do it!

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Kamis, 18 Oktober 2012

[N216.Ebook] Download PDF Satellites in the High Country: Searching for the Wild in the Age of Man, by Jason Mark

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In New Mexico's Gila Wilderness, 106 Mexican gray wolves may be some of the most monitored wildlife on the planet. Collared, microchipped, and transported by helicopter, the wolves are protected and confined in an attempt to appease ranchers and conservationists alike. Once a symbol of the wild, these wolves have come to illustrate the demise of wilderness in this Human Age, where man's efforts shape life in even the most remote corners of the earth. And yet, the howl of an unregistered wolf—half of a rogue pair—splits the night. If you know where to look, you'll find that much remains untamed, and even today, wildness can remain a touchstone for our relationship with the rest of nature. 

In Satellites in the High Country, journalist and adventurer Jason Mark travels beyond the bright lights and certainties of our cities to seek wildness wherever it survives. In California's Point Reyes National Seashore, a battle over oyster farming and designated wilderness pits former allies against one another, as locals wonder whether wilderness should be untouched, farmed, or something in between. In Washington's Cascade Mountains, a modern-day wild woman and her students learn to tan hides and start fires without matches, attempting to connect with a primal past out of reach for the rest of society. And in Colorado's High Country, dark skies and clear air reveal a breathtaking expanse of stars, flawed only by the arc of a satellite passing—beauty interrupted by the traffic of a million conversations. These expeditions to the edges of civilization's grid show us that, although our notions of pristine nature may be shattering, the mystery of the wild still exists — and in fact, it is more crucial than ever.

But wildness is wily as a coyote: you have to be willing to track it to understand the least thing about it. Satellites in the High Country is an epic journey on the trail of the wild, a poetic and incisive exploration of its meaning and enduring power in our Human Age.

  • Sales Rank: #852413 in Books
  • Published on: 2015-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.40" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 320 pages

Review
"One of the pleasures of Satellites in the High Country is that Mr. Mark does not follow the usual nature writer’s path and just throw the word “wild” out there, waving it like a flag, before carrying on with his own happy tramps into the wilderness. His approach to decoding the word is comprehensive, ...The ideas are the best part...trips are well-described and linked clearly to the book’s intellectual lessons." (Wall Street Journal)

"Fascinating" (Mother Jones)

"In his new book, Satellites In The High Country: Searching For The Wild In The Age Of Man, Mark takes us on a journey across America in search of wilderness, from a reservation in South Dakota where the reintroduction of bison has divided the community to a cave in Washington state where a British cavewoman is replicating life in the  Paleolithic more than two million years ago. Along the way, he explores the meaning of wilderness and the urgent need to conserve what remains of it." (National Geographic)

"This is true adventure; Mark writes eloquently about our need for nature and our responsibility to preserve it." (Contra Costa Times)

"[This] book... had me reanalyzing...every opinion I hold about what nature is, what wilderness is and what we can, can't, should and shouldn't do to our planet...The book is a conversation. Readers sit down and listen as a friend narrates adventures and ideas, and there's plenty of room to pick up threads of ideas brought up in the book and run with them on your own. Even as you turn the final pages, the book feels like the beginning of a long and very necessary discussion." (Mother Nature Network)

"Mark carves out a fine distinction between inadvertent influence caused by factors like climate change and intentional control. He offers a heartfelt ode to the continued importance of nonintervention in wilderness areas, even if doing so leads to unrecognizably changed landscapes."
(High Country News)

"Throughout, Mark neatly blends the particular place details with broad maxims of wilderness philosophy, slanted toward the needs of earth’s future, and expressed with an eloquent originality. What’s more he does it with some charming descriptive passages."
(Sierra Club's Words of the Wild)

"Mark journeys through wilderness that most of his readers will never see, and in doing so demonstrates why in just knowing there is wild, somewhere, we can remain grounded in our existence on the planet….If Mark romanticizes the refuge found in the wild, he makes no apologies for it. Satellites in the High Country is an evocative meditation on reconnecting our bond to the natural world, and why it is so important. But Mark’s is more than a romantic vision. It is also a pragmatic understanding that, to save ourselves, we’ll need to reconcile our fractured relationship to the wild in the Age of Man." (Triple Pundit)

"Through it all, [Mark] does a nice job of balancing historical fact and sociopolitical commentary with poetic passages that celebrate the breathtaking beauty of the natural world."
(KQED Arts The Spine)

"Satellites in the High Country is an act of ground truthing on the nature of wildness at this moment in time. Author Jason Mark circumnavigates the American West with the eyes of an open-hearted sleuth, looking for what wild remains. Wildness, he discovers, is not only all around us, but inside us as well, having little to do with what is pristine or untouched and everything to do with nature’s intricate system of adaptation and response, function and beauty, and our innate capacity for awe. This book is a conversation with sanity." (Terry Tempest Williams author of When Women Were Birds)

"Jason Mark is a great person to share an adventure with, whether out on the Arctic tundra or on the page. Satellites in the High Country is an engrossing exploration of the ever-evolving definition of what is 'wild' in America—which often reveals as much about us as it does about wilderness in the twenty-first century." (Michael Brune Executive Director, Sierra Club)

"Satellites in the High Country is a brave and vigorous exploration of wilderness—its meaning, its necessity, its thunderous, rock-strewn reality. Jason Mark guides the reader across mountain passes and Arctic tussocks on a journey that is at once physical, philosophical, and political. His feet may be bruised, but his voice is strong, honest, and compelling. Read this book for an insightful and much-needed update on the centrality of wilderness in the contemporary American mind." (Kathleen Dean Moore author of Great Tide Rising)

"Jason Mark revisits 'the wild' in our landscapes and in our minds. At a time when the wild—as a place and an idea—is being increasingly hemmed in, he offers fresh insights, unsettled questions, and renewed appreciation." (Curt Meine Aldo Leopold Foundation & Center for Humans and Nature)

"In Satellites in the High Country, gripping accounts of outdoor journeys are linked with provocative thinking about the meaning of wildness in an increasingly human-controlled world. Jason Mark ably continues the writing style and themes of legends such as John Muir and Edward Abbey." (Roderick Frazier Nash author of Wilderness and the American Mind)

"In Satellites in the High Country, Mark narrates his adventures in America’s wilderness with stunning detail. The dilemma of whether to leave nature to its own devices or tend it in order to preserve its ecological integrity is sensitively portrayed. Now more than ever, we need voices like Mark’s to illustrate this ever-complex relationship between mankind and nature, and to inspire us to care for our wild places." (Jamie Williams President of The Wilderness Society)

"Mark gives an invitation to flee modernity and embrace mysterious nature as he shares the poetic insights he found in the wild." (Foreword)

“In this compellingly readable account of his quest to explore some of the planet’s last remaining stretches of authentic wilderness, environmental writer Mark argues that safeguarding a powerful sense of 'the Wild' as separate from civilization is more critical than ever….Mark presents a fresh, first-rate piece of nature writing and a stirring manifesto calling for the protection and celebration of the true spirit of wild places.”
(Booklist)

About the Author
Jason Mark's writings on the environment have appeared in The New York Times, TheAtlantic.com, The Nation, and Salon.com, among many other publications. He is the editor in chief of SIERRA magazine, was the longtime editor of Earth Island Journal, a quarterly magazine, and is a co-founder of San Francisco's largest urban farm. Time has called him "a rebel with a cause." For more, visit jasondovemark.com.

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4 of 4 people found the following review helpful.
The Wild as Evolution's Canvass
By Bjorn Beer
Jason Mark’s new book belongs in the collection of anyone who cares about the environment or enjoys the wilderness, but whose language can’t seem keep up with the accelerating changes around us.

Today, we find ourselves in a near apocalyptic tautology: at what point of environmental degradation does wilderness become so tampered with by human activity and pollution that it ceases to be wild? At what point does wilderness stop being wild if – ironically – we are trying to intervene to save our current conception of wilderness? Mark helps the reader find her own way out of a wilderness of language that surrounds our concept of the wild. Yet, his style is more like the hands-off backcountry trip leader who says "time out everyone, take out your map and compass and figure out where we are and where we’re going."

In other words, I didn’t feel like Mark was forcing “The Answer” upon the reader, but rather was guiding the reader to think about the question of wilderness – and wildness – in a new (or maybe old) way. While so much environmental literature today is written with the heart of an insurance actuary or an economist at a corporate-sponsored think tank, Mark is obviously someone who enjoys the wilderness through his heart, and on his own two feet. He captures the numinous, the ineffable. He writes as someone who has been humbled by nature, and who would be a solid backpacking companion.

The narrative forces the reader to re-evaluate their idea of what constitutes wilderness. By the end of the book, Mark reveals his thoughts on wilderness in a more direct way: “A “post- wild” world would put human civilization into a kind of solitary confinement. There would be no Away, no frontier or edge to civilization. There would be no Other, nothing to contest our will. We would be left all alone.” Perhaps freeing the wild makes us free.

I do get the sense, however, that many who read the book who don’t already have the appreciation and deep emotional connection to the wild might not really “get it.” Mark captures this frustration when, for example, he laments that fewer younger people and minorities are in the wilderness. So on one hand, I was inspired by the awe, appreciation, and humility that can only come from spending a lot of time communing with the wild. On the other, I feel despair that without time in the wild, how do you value it fully, broadly, and deeply? Should we then be surprised that we increasingly base our decisions on conservation and environmental policy on utilitarian calculations?

I think Mark’s contribution to the literature here is to underscore that wilderness is a canvass where evolution can play out. “Wildness preserves evolution,” he writes. “The daily audacity of creation unfolding, keeps open the possibility of new forms of life.” Here, we are almost encouraged to “hug the beast” and embrace accelerating changes on the precipice of the Anthropocene. The Anthropocene is happening, so let’s make sure we preserve as much landscape that is free for evolution to do its thing.

There is a real tangible benefit to the human species for preserving landscapes for evolution to play out. Yet, Mark transcends the practical and really does capture the value of wilderness for its own sake. Here he puts the value of wilderness in a higher orbit that might just escape the gravity of our crass utilitarian calculations, our egos, and our desire for control. Perhaps it’s not just the satellite orbiting out there.

3 of 3 people found the following review helpful.
Are there still any wild places left on our planet?
By Brian Smith
Are there still any wild places left on our planet?

That is the main question Jason Mark tackles in Satellites in the High Country: Searching for the Wild in the Age of Man.

In a era of global GPS, ocean acidification, climate change and market globalization it's hard to imagine anywhere that hasn't been impacted by humanity. Thus the declaration of our era as The Anthropocene, the era when man began to change global ecosystems on a planetary-wide scale.

Going out to search for "Wilderness" in such an era is quite a task. Jason Mark takes us on a number of adventures "outside the anthill" of civilization, mostly in the American West and Arctic. Along the way he brings some of today's greatest thinkers on this subject and asks them (usually around a campfire) what they think about this question.

What we discover is that wilderness is no longer strictly defined as "untouched." What matters today is that there are still places "uncontrolled" by humanity. Places where animals and forces of nature have the power to put you squarely back on the food chain. Places where paying attention and "mindfulness" are required simply to stay alive. Places where we can come into direct dialogue with all that is.

Wild places deserve our protection because they have a right to exist outside of our control, and we need wild place to visit so we can get be beyond the reach of human civilization.

"Satellites in the High Country" continues the conversation started by Henry David Thoreau, John Muir, Rachel Carson, John McPhee, and Annie Dillard about our place in the world, and our duty to protect all that is not human civilization. I was thrilled to see a Generation X journalist take up this conversation and push it forward. In the era of cyber-everything, this book could not have arrived at a better moment.

3 of 3 people found the following review helpful.
Jason Mark has hit it out of the park with ...
By Kevin F
Jason Mark has hit it out of the park with this one. Satellites in the High Country is thoughtful and thought provoking, exciting, lucid, and literate. On the surface, Mark's book offers a series of engaging narratives, each of which will resonate with anyone who has ever found solace or adventure in wild places. Woven throughout these stories, and tying them together into a greater whole, is a thoughtful inquiry into the concept and role of wilderness in the age of humanity. This is an important book, and I look forward to seeing more from Jason Mark in the future.

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  • Published on: 1605
  • Binding: Hardcover

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Investing in Oil and Gas Wells, by Nick Slavin

Investing in Oil and Gas Wells explains oil and gas investment in simple terms for the prospective investor. Following an overview of the process by which oil and gas is explored for and produced, it discusses the tax advantages of investments in oil and gas wells and the kinds of deal structures regularly encountered in the industry.

  • Sales Rank: #336962 in Books
  • Brand: Brand: BookSurge Publishing
  • Published on: 2007-11-05
  • Released on: 2007-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .20" w x 5.25" l, .22 pounds
  • Binding: Paperback
  • 86 pages
Features
  • Used Book in Good Condition

About the Author
Nick Slavin is a corporate lawyer and oil and gas investor. He was educated at Yale College and Harvard Law School, and lives in Houston, Texas.

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19 of 19 people found the following review helpful.
Good overall, tax chapter is particularly useful
By WestCoastBestCoast
This book has good coverage of oil and gas exploration for a broad audience, but could stand to have a few more illustrations and tables to explain some of the concepts. It's got a pretty thorough step-by-step explanation of the process from exploration to drilling to (hopeful) profit. Who knows what black gold lurks under yonder plains; this book can help you find out. It's a reasonably quick read and pretty dense.

The book's coverage of the AMT (Alternative Minimum Tax) is particularly useful; for many energy investors the AMT is becoming more and more important. I haven't seen any other books of this type that so thoroughly cover the impact of the AMT. Did you know that the AMT can result in double-taxation? This book explains how to structure your investment so that if you make more than $100,000 (which hopefully you will) you'll be able to minimize the risk of getting hit with a huge AMT bill.

Hopefully the next edition will fix the problem with the charts; it's hard to follow some of the tax examples without having a table or a chart or something.

8 of 8 people found the following review helpful.
small book; very good
By ilukens
This is a small book -- only 75 page with notes, but it is very well written and tersely but competently explains the essentials of the subject. It is very readable and pitched just right--- it is intelligent and does not oversimplify but avoids being technical, too detailed or too dry. The chapters are: 1) exploration and production basics parts 1 & 2; 2) Tax advantages to the Ol & Gas investor; 3) Deal Structures; and 4) applying financial concepts. In its small size the book succeeds in painting a comprehensive overview of the subject-- it explains the mechanics of the drilling enterprise, the roles of various parties (including the landowner,operator and various active or passive investor and business partners), decision points in the drilling enterprise and allocations of expenses and profits. An excellent and intelligent introduction to the subject.

4 of 4 people found the following review helpful.
Investing in Oil and Gas Wells - Great for broker training
By Josephine A. Race
This book has been helpful for training new brokers in the oil and gas industry. The FINRA licensing tests are fine for the regs, but this puts it in investor-friendly form.

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The Films of Andrei Tarkovsky: A Visual Fugue, by Vida T. Johnson, Graham Petrie

"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky’s films―a very difficult task in any case―must read it." ―The Russian Review

"This book is a model of contextual and textual analysis.... the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." ―Europe-Asia Studies

"[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky’s film world." ―Canadian Journal of Film Studies

"For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." ―Cineaste

This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest―and most misunderstood―filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.

  • Sales Rank: #1342416 in Books
  • Published on: 1994-12-22
  • Released on: 1994-12-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.02" w x 6.12" l, 1.45 pounds
  • Binding: Paperback
  • 352 pages

Review
"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films -- a very difficult task in any case -- must read it." The Russian Review "This book is a model of contextual and textual analysis... the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." Europe-Asia Studies "[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." Canadian Journal of Film Studies "For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." Cineaste

About the Author

VIDA T. JOHNSON, Associate Professor and Director of the Russian program at Tufts University, has co-authored, with Graham Petrie, a chapter on Andrei Tarkovsky in Five Filmmakers (edited by Daniel Goulding). GRAHAM PETRIE, Professor of Drama at McMaster University, is the author of The Cinema of François Truffaut, History Must Answer to Man: The Contemporary Hungarian Cinema, and Hollywood Destinies: European Directors in America 1921–1931.

Most helpful customer reviews

6 of 6 people found the following review helpful.
A MUST-HAVE FOR THOSE TOUCHED BY TARKOVSKY'S WORK
By Larry L. Looney
I agree with points made by some of the various reviewers below. First of all, this book is vital for the general viewer of Tarkovsky's films as a tool for coming to a greater understanding of the director's methods and motivation. They offer synopses of all of the films (with the exception of MIRROR, whose structure is so unusual as to make a synopsis impractical -- it's analysed almost scene-by-scene in the body of the book) as an appendix -- an essential aid, considering that all of them are subtitled in English, and, as the authors point out in several places, those subtitles are of varying accuracy from edition to edition. It's also very difficult for even the most adept subtitle artisan to convey things such as sarcasm and irony -- very often viewers who don't speak the language in which the film was shot are left in the dark where such subtleties are concerned. The knowledge the authors have accumulated of the Russian language and culture are put to good use here in helping the Western viewer of Tarkovsky's incredible films come to a more complete understanding of them -- an understanding that will always, given the unique nature of this director's work, be tempered by the viewer's own soul and spirit. These films speak to me on that deep level, as I know they do to many, many others -- this is part of what Tarkovsky had in mind, I believe, when he stated that he wanted the audience to work as hard as the director in 'creating' the finished product.

Individual films are brought into focus in chapters devoted to them -- Tarkovsky's work-path of creation is followed in detail, outlining conception, planning, struggles with the authorities, critical and public responses, and the director's reflections on the finished works.

Some of the other reviewers take exception to the critiques offered by the authors -- and indeed, it's easy to see where their own opinions enter into the writing process. I believe this is going to be a natural part of any book on film, and has to be taken by the reader with a healthy grain of salt. I didn't agree with everything they wrote -- perhaps some of their speculations as to Tarkovsky's psychological and emotional components are based on more information than they were willing to include in detail in this work. Where the authors and I diverge on our views and opinions in no way tainted my enjoyment and appreciation of their efforts.

I would recommend this volume very highly -- alongside Tarkovsky's own work, SCULPTING IN TIME -- both valuable keys to unlocking the treasure that is the work of this artist.

7 of 8 people found the following review helpful.
Indispensable, comprehensive, but a bit flawed
By 4thDegree
I love this book and it represents a huge undertaking on the parts of Johnson and Petrie. They've done a great service to the film community with this volume and I give it an enthusiastic recommendation - with minor reservations. Buy this book, but realize that the authors most likely had to apply a degree of 'academic prudence,' meaning that there are echoes and whispers of a sober cynicism. It seems the authors, as academicians, felt obligated to question the aesthetic integrity of the Tarkovskian world, and one certainly cannot blame them for attempting objectivity. But do not let that spoil it and do not feel inclined to agree with everything expressed within just because this is such a fine work. It's a great research tool and an enjoyable read, but it might disrupt your views of Tarkovsky to an extent (which could be bad for romantics). I don't find "A Visual Fugue" flawed for this reason, but rather because at times it merely serves as a forum of opinions and arguments while making no argument of its own. It still gets five stars, though, because it really stands tall in the ranks.

18 of 23 people found the following review helpful.
Past the myth towards the magic
By Philip Challinor
The first chapter's title is "A Martyred Artist?" and the question mark hints that some cherished preconceptions are about to be overturned. Tarkovsky seems to have enjoyed thinking of himself as a martyr, and the image has been enthusiastically endorsed by those in the West who believe in Hollywood freedom and Moscow manipulation - four legs good, two legs bad. Johnson and Petrie provide a perspective without slipping into that Charybdis of revisionist critics, the Dreaded Debunker Mode. The director emerges (from extensive interviews with a commendably large number of his collaborators) as a deeply dedicated, troubled artist, charming, impossibly perfectionist, sometimes childishly arbitrary and spiteful, hell to get along with but definitely worth getting to know. After some useful background information on the various hoops to be jumped through in the Soviet film industry and on Tarkovsky's own methods, there are individual critical chapters on all the major works after Ivan's Childhood, and the information they offer is often invaluable for a proper appreciation of the films. Particularly useful is the chapter on the outstanding masterpiece Andrei Rublev, which fills in some of the historical detail behind Tarkovsky's elliptical storyline. At the end are detailed plot summaries, running times and notes on different versions (interestingly, films like Solaris, released intact in the USSR, were horrendously hacked about in the "free" West); and four chapters covering matters of style which are perhaps the least substantial parts of this very satisfying book. The authors are remarkably fair to the Soviet film industry, presenting its bureaucratic meddlers' committees as not so very different from a Western studio or executive producer, and certainly not as monolithically philistine as we've often been led to believe. Tarkovsky was allowed virtually to make Stalker twice over when the original version didn't satisfy him - something Stanley Kubrick might possibly have finagled for himself, but it's hard to imagine anyone else in the West being permitted to do anything of the sort. Quite apart from its very fine critical comment, this book is a much-needed corrective to those myths about the director which have distracted too much attention away from the films themselves - attention which, as the book also shows, they ruthlessly demand and richly deserve.

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